A propósito de un eslabón perdidola (re)aparición de Assemblage (Merce Cunningham, Richard Moore, 1968)

  1. Gabriel Villota Toyos 1
  1. 1 Universidad del País Vasco/Euskal Herriko Unibertsitatea
    info

    Universidad del País Vasco/Euskal Herriko Unibertsitatea

    Lejona, España

    ROR https://ror.org/000xsnr85

Journal:
Ausart aldizkaria: arte ikerkuntzarako aldizkaria = journal for research in art = revista para la investigación en arte

ISSN: 2340-8510 2340-9134

Year of publication: 2015

Issue Title: Investigación en danza

Volume: 3

Issue: 1

Pages: 77-90

Type: Article

DOI: 10.1387/AUSART.14390 DIALNET GOOGLE SCHOLAR lock_openOpen access editor

More publications in: Ausart aldizkaria: arte ikerkuntzarako aldizkaria = journal for research in art = revista para la investigación en arte

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Abstract

Long forgotten among other materials , the film Assemblage was recently rediscovered, restored and presented in several premieres in the United States. In 1968 Merce Cunningham have the opportunity to create a filmed choreography in collaboration with the poet and experimental filmmaker Richard O. Moore, and the station KQED in San Francisco. Assemblage is filmed in Ghirardelli Square, a new public space midway between the commercial mall and public square. Cunningham sees his choreography precisely from this idea of intervention in a public space. All the footage filmed with multiple cameras will be processed later in the editing room, using all the resources characteristic of experimental film, and thus opens the way to a new conception of screendance.

Bibliographic References

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