Arte y máquinas.

  1. Hurtado Mendieta, Enrique 1
  1. 1 UPV/EHU, Leioa, País Vasco.
Journal:
Arte y políticas de identidad

ISSN: 1889-979X

Year of publication: 2013

Issue: 9

Pages: 103-112

Type: Article

DIALNET GOOGLE SCHOLAR lock_openDIGITUM editor

More publications in: Arte y políticas de identidad

Abstract

This article explores how science and technology have influenced 20th century arts and engendered an interest in ideas such as indeterminacy, randomness and autonomy. This was initially explored by very few artists, but later to be embraced by more as computers became widespread. This article also analyses the effect works developed under those parameters have had on concepts such as authorship, creativity and original/copy.

Bibliographic References

  • Boden, M. y Edmonds, E. (2009). What is generative art?, Digital Creativity, 20, (1-2), 21-46. Recuperado el día 20/04/2013 de http://research.it.uts.edu.au/creative/eae/intart/pdfs/generative-art.pdf
  • Brown, A. (2012). Creative Partnerships with Technology: How creativity is enhanced through interactions with generative computational systems. AAAI Conference on Artificial Intelligence and Interactive Digital Entertainment. AAAI Publications Report WS, 12-16. Recuperado el día 14/12/2012 de http://www.aaai.org/ocs/index.php/AIIDE/AIIDE12/paper/view/5493
  • Brown, P. (2005). Is the Future of Music Generative?. Music Therapy Today (online) Vol. VI (2), 215-274. Recuperado el día 13/02/2013 de http://www.wfmt.info/Musictherapyworld/modules/mmmagazine/issues/20050411083630/20050411095852/MTT6_2_Brown2005.pdf
  • Carl, R. (2010). Terry Riley’s In C. Oxford: Oxford University Press.
  • Collins, N y Brown, A. R. (Ed.). (2009). Generative Music Editorial, Contemporary Music Review, 28(1), 1-4.
  • Diaz-Jerez, G. (2000). Algorithmic music: using mathematical models in music Composition (Tesis de maestría sin publicar, Manhattan School of Music). Recuperado el día 15/01/2012 de http://www.gustavodiazjerez.com/Gustavo_Diaz_Jerez_DMA_Thesis_MSM.pdf
  • Eigenfeldt, A. (2001). Towards a Generative Electronica: A Progress Report. eContact! 14.4 — TES 2001. Recuperado el día 10/04/2013 de http://cec.sonus.ca/econtact/14_4/eigenfeldt_generativeelectronica.html
  • Eigenfeldt, A. (2013). The Human Fingerprint in Machine Generated Music. Proceedings of xCoAx2013: Computation, Communication, Aesthetics, and X. Bergamo, Italy. Recuperado el día 31/05/2013 de http://2013.xcoax.org/pdf/xcoax2013-eigenfeldt.pdfBibliografía Gilmore, J. y Fell, M. (2012). Composing with Process, Radio web MACBA. Recuperado el día 06/02/2013 de http://rwm.macba. cat/en/composingwithprocess_tag
  • Järveläinen, H. (2000). Algorithmic musical composition. HUT, Laboratory of Acoustics and Audio Signal Processing. Helsinki University of Technology. Recuperado el día 14/03/2013 de http://www.tml.tkk.fi/Studies/Tik-111.080/2000/papers/hanna/ alco.pdf
  • Magnusson, T. (2002). Processor art: Currents in the Process Oriented Works of Generative and Software Art (Tesis de maestría sin publicar, University of Copenhagen, Dinamarca). Recuperado el día 12/02/2011 de http://ixi-audio.net/thor/pa_lowres.pdf
  • Magnusson, T. (in press). Generative Music: A Form without a Format. Leonardo Almanac.
  • Magnusson, T y Magnusson, R. (2007). SameSameButDifferent v.02-Iceland. YLEM Journal. Recuperado el día 13/04/2009 de http://www.ixi-audio. net/thor/SSBD_v02-Iceland.pdf
  • Maurer, J. (1999). A Brief History of Algorithmic Composition. Center for Computer Research in Music and Acoustics (CCRMA). Stanford University. Recuperado el 02/05/2013 de https://ccrma. stanford.edu/~blackrse/algorithm.html
  • Noguchi, H. (1997). Mozart Musical Game in C K. 516f*. Recuperado el día 02/05/2013 de http://www.asahi-net. or.jp/~rb5h-ngc/e/k516f.htm
  • Roads, C. (1996). The Computer Music Tutorial. Cambridge: MIT Press.
  • Robert, C. (2010). Terry Riley’s In C. Oxford: Oxford University Press.
  • Selz, P. (1966). Directions in Kinetic Sculpture. Berkeley: University of California Press.
  • Ward, A. (1999). How I drew one of my pictures. Recuperado el día 11/04/2013 de http://generative.net/papers/autoshop/
Data source: Dialnet