Lolita airadagirl power y venganza en Hard Candy (David Slade, 2005)
ISSN: 1137-1102
Año de publicación: 2012
Número: 33
Páginas: 87-99
Tipo: Artículo
Otras publicaciones en: Zer: Revista de estudios de comunicación = Komunikazio ikasketen aldizkaria
Resumen
The present article tries to understand the Lolita myth and its adjustment to the cinema of the 21st century. The independent American film Hard Candy (David Slade, 2005) has been chosen to do so. While the film uses frequent resources traditionally attached to the Lolita myth it also incorporates brand new elements, inspired by postfeminism, postmodern cinema and popular media movements such as the girl power. Despite these innovations Hard Candy still depicts a myth in the core of contemporary contradictions and anxieties about sex, violence and paedophilia.
Referencias bibliográficas
- ADAMS, Natalie G. (2005). Fighters and Cheerleaders: Disrupting the Discourse of Girl Power in the New Millennium. En: BETTIS, Pamela J., ADAMS, Natalie G. (eds.) Geographies of girlhood: Identities In-between. New Jersey: Lawrence Erlbaum Associates, p. 101-114.
- CLOVER, Carol (1992). Men, Women and Chainsaws: Gender in the Modern Horror Film. Princeton: Princeton University Press.
- CREED, Barbra (1993) The monstrous-feminine. Film, feminism, psychoanalysis. London and New York: Routledge.
- DRISCOLL, Catherine (2002). Girls. Feminine Adolescence in Popular Culture & Cultural Theory. New York: Columbia University Press.
- DUNN, Jancee (1999). “The Secret life of teenage Girls”. En: Rolling Stone. November 11.
- FALUDI, Susan (1992). Backlash: The Undeclared War Against Women. London: Vintage.
- GILL, Rosalind (2007). ‘Post feminism Media Culture. Elements of a sensibility,’ En: European Journal of Cultural Studies, 10.2: 147-166.
- GRAHAM-BERTOLINI, Alison (2011). Vigilante Women in Contemporary American Fiction. New York: Palgrave McMillan.
- GORMLEY, Paul (2005). The New-Brutality Film; Race and Affect in Contemporary American Film. Bristol: Intellect.
- LEHMAN, Peter (1993). ‘Don’t Blame This on a Girl’: Female RapeRevenge Films. En: COHAN, Steven; HARK, Ina Rae (eds.) Screening the Male. Exploring Masculinities in Hollywood. London: Routledge, p. 103-117.
- LEHMAN, Peter; HUNT, Susan (1999). “Something and Someone Else”: The Mind, the Body and Sexuality in Titanic. En: SANDLER, Kevin S.; STUDLAR, Gaylyn (eds.) Titanic: anatomy of a blockbuster, New Jersey: Rutgers University Press, p. 89-107.
- LEMISH, Dafna (1998). Spice Girls’ talk: A case study in the development of gendered identity. En: INNESS S.A. (Ed.) Millennium girls: Today’s girls around the world. New York: Rowman and Littlefield, p. 145-167.
- MCROBBIE, Angela (2009) The Aftermath of Feminism: Gender, Culture and Social Change. London: Sage.
- NABOKOV, Valdimir (1989). Lolita. Barcelona: Anagrama.
- PROJANSKI, SARAH (2001). Watching Rape: film and television in postfeminist culture, New York: New York University Press.
- READ, Jacinda (2000). The New Avengers: Feminism, Femininity and the Rape-Revenge Cycle. Manchester: Manchester University Press.
- ROBERTS, Kimberley (2002). Pleasures and problems of the ‘Angry girl’. En: GATEWARD, Frances; POMERANCE, Murray (eds.). Sugar, spice and everything nice: cinemas of girlhood. Detroit: Wayne State U.P. p. 217-233.
- TASKER, Yvonne; NEGRA, Diane (Eds.) (2007). Postfeminism: Gender and the Politics of Popular Culture. Duke University Press.
- WOLF, Naomi (1993). Fire with Fire. New York: Random House.