Cogito ergo video. Histoire(s) du cinéma di JLG. O il capitalismo come patología della memoria

  1. Fernando Bayón 1
  1. 1 Instituto de Filosofía
    info

    Instituto de Filosofía

    Madrid, España

Zeitschrift:
Teoria

ISSN: 1122-1259

ISBN: 88-467-1577-2

Datum der Publikation: 2010

Ausgabe: 10

Nummer: 1

Seiten: 147-164

Art: Artikel

GOOGLE SCHOLAR lock_openOpen Access editor

Andere Publikationen in: Teoria

Zusammenfassung

This essay is an interpretation of the work of Jean-Luc Godard: Histoire (s) du cinéma. There are two main objectives of the text. First, to analyze audio-visual mediations on the political construction of memory. Therefore, I will study the way Jean-Luc Godard ́s films articulate the cinematograph-ic history of the twentieth century, inspired by a central motif: the idea of failure and mourning. Secondly, I ́d like to establish a dialogue between the ‘pathologies of memory’ -as reported by Godard in critical connection with the mass-media comsuption regime- and the ‘policies’ of the images and montage, proposed by Walter Benjamin an his ‘dialectics of seeing’