Identificación de una serie de grabados rubenianos como modelo de los relieves de la sillería de Lanciego (Álava)

  1. VÉLEZ CHAURRI, José Javier 1
  2. ECHEVERRÍA GOÑI, Pedro Luis 1
  1. 1 Universidad del País Vasco/Euskal Herriko Unibertsitatea
    info

    Universidad del País Vasco/Euskal Herriko Unibertsitatea

    Lejona, España

    ROR https://ror.org/000xsnr85

Zeitschrift:
BSAA Arte

ISSN: 1888-9751

Datum der Publikation: 2016

Nummer: 82

Seiten: 185-203

Art: Artikel

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Andere Publikationen in: BSAA Arte

Zusammenfassung

It discovers and analyzes here a series of rubenian prints of 1652 made Pieter de Bailliu, after by Theodoor van Thulden. They served as models for the panels of Christ and the apostolate of the rococo choir stalls of the parish church of Lanciego. The use of Baroque models of Rubens in the XVIII century, involves the reappearance of Mannerist schemes usually reinterpreted by the Flemish painter. The rococo reliefs of St. Acisclo and St. Victoria, the temple holders, copy a print of the eighteenth century by the engraver from Cordoba, Nicolás Carrasco.

Fuente de los datos: Dialnet